01 — Search · An independent editorial reference, version 1.0
Search 755 organizations across 151 countries.
WANDA documents organizations created by women to advance women in the arts — bringing records dispersed across countries, decades and disciplines into one consultable, comparable and citable reference.
Region
Activity
Membership
755records
Every filter combination has its own permanent address, so a search can be bookmarked, shared with a colleague or cited in a paper — and still resolve years later.
No records match this combination.
An absence here means no organization meeting WANDA's editorial criteria has been verified for these filters yet — not that none exists.
Sample records shown for design review only. They are not WANDA data. Global figures (755 · 151 · 21 · 1867–2026) are the project's real ones.
Every dot below is an organization documented by WANDA. Filter by UN region or decade of creation, and hover to inspect an individual record — the same combinable logic of the directory explorer. Left unfiltered, the corpus spells its own name.
Fig. 1 — Distribution of the 755 documented organizations by UN region. Each point represents one organization; hover to read its record summary. Geographic classification follows the United Nations M49 standard. With no filter applied, the records falling inside the wordmark carry WANDA Blue while the rest keep their region colour, muted — nothing is hidden, the word emerges by saturation alone. Filtering uses the same language: the records that survive come forward at full colour and the rest recede. Hover any point to recover its true region colour, or use ◆ Wordmark to compare against the plain grid.
Fig. 2 — Records by decade of creation, 1860s–2020s. Select a decade to combine it with a region filter.
03 — The record
Every organization, the same fields.
A record is the standardized editorial entry created for each organization. Same structure, same vocabularies, same geographic authority — which is what makes 755 dispersed histories comparable without flattening any of them.
Plate I — Sample recordv1.0 schema
RECORD ID · WANDA-000452Published
Liga de Mujeres Escultoras
League of Women Sculptors
Country
MéxicoUN M49 484 · Subregion: Latin America & the Caribbean
Illustrative record demonstrating the standardized editorial fields. Every published record carries a permanent WANDA Record ID. Open the full record page →
Combinable filters
Geography, activities, funding model, year created and membership size cross freely, with full-text search on top. Every result set is one query away.
Permanent Record IDs
Each published record carries a permanent WANDA Record ID and a stable address. If a name changes editorially, the old address keeps resolving — citations do not rot.
Cite this page
Every record ends with a ready-made citation in WANDA's suggested format, and ships scholarly metadata for reference managers and search engines.
«No data available», one single criterion
An empty field is never guessed or padded. The absence of a value is itself documented, and it reads the same way in the panel, on the website and in the API.
04 — Permanent URLs
Built to be found — and cited.
Every combination of filters is an address, not a session. Toggle the facets below and watch the URL rebuild: that address can be bookmarked, mailed, footnoted or handed to the API, and it resolves to the same result set years from now.
Try it — every combination is a permanent URLLive
Resulting addressMatches in the sample corpus: —
Website
The explorer reads its state from the address bar, so a shared link opens exactly the result set the sender was looking at.
/explore?…
Public API
The same query layer answers the API, so search and filters are equivalent by construction rather than by maintenance.
/api/v1/organizations?…
Record
Individual records live at a slug that never changes; editorial renames issue a permanent redirect to the new address.
/record/WANDA-000452
05 — About
A shared editorial reference.
For more than a century, women have created organizations to support professional practice, foster artistic exchange, advocate for greater visibility, and build communities across the arts.
WANDA (Women Artists' Networks · Directory & Archive) is an independent research initiative dedicated to documenting organizations created by women to advance women in the arts. By bringing organizations that have remained dispersed across countries, historical periods, and cultural contexts into a shared editorial reference, WANDA makes visible the broader ecosystem of women's collective organization in the arts.
Each organization reflects a specific local history. Documented within a consistent editorial methodology, these organizations become part of a structured reference that supports comparative research across places, historical periods, artistic disciplines, organizational forms, activities, and funding models — while preserving the history and specificity of each organization.
As a living editorial reference, WANDA will continue to grow as additional organizations are identified, documented, and incorporated through its editorial methodology.
06 — Methodology
One consistent editorial process.
Every record is created through the same path: identification, assessment, documentation, normalization and public source verification.
§ 6.1 Key definitions
OrganizationUnit of record
A sustained form of collective organization — associations, networks, collectives, foundations, artist-run spaces, archives, museums, research centres, cooperatives, advocacy and professional organizations. Eligibility is determined by purpose and continuity rather than legal structure.
NetworksAs used in the title
Refers to the broader ecosystem of organizations documented by WANDA, rather than to a specific organizational type.
RecordEditorial entry
The standardized editorial entry created for each organization, documenting publicly available information using a consistent database structure and editorial methodology.
The artsScope
Visual arts, architecture, crafts, design, film, literature, media arts, music, performance, photography, and related artistic disciplines.
§ 6.2 Inclusion criteria
Organizations are included if they:
Were created by women.
Have a sustained mission of advancing women in the arts.
Have an enduring organizational structure rather than being a temporary project, event, or initiative.
Have sufficient public documentation to verify their existence and mission.
§ 6.3 Database structure
Each organization is documented using a standardized set of editorial fields:
NameCountryWebsite / online presenceYear createdApproximate membershipPrimary activitiesFunding model
Geographic information follows the United Nations M49 standard — Region · Subregion · Country. Controlled vocabularies are applied to Activities and Funding to ensure consistency and support comparative research across countries and periods.
§ 6.4 Editorial process
1Identification through publicly available sources.
2Assessment against WANDA's inclusion criteria.
3Documentation using WANDA's standardized editorial fields.
4Editorial normalization — consistent terminology, geographic classification and controlled vocabularies across all records.
5Public source verification before publication.
§ 6.5 Editorial standards
Standardized structure
A consistent database structure applied to every record in the reference.
Controlled vocabularies
Fixed term sets for Activities and Funding, ensuring comparability.
Authority control
Geographic classification using the United Nations M49 standard.
§ 6.6 Editorial limitations
WANDA is conceived as a long-term editorial reference that will continue to grow through ongoing research. While every effort is made to identify organizations that satisfy WANDA's editorial criteria using publicly available documentation, the database is not intended to represent an exhaustive inventory of all organizations created by women for women in the arts.
The absence of organizations for a particular country does not indicate that no such organizations exist — it indicates only that no organization meeting WANDA's editorial criteria has yet been identified and verified through publicly available sources. Likewise, the absence of an individual organization should not be interpreted as evidence that it does not exist or does not satisfy the editorial criteria.
WANDA is intended to support research by providing a transparent and consistently documented editorial reference. As with any ongoing research project, the database reflects the current state of editorial knowledge and will continue to evolve as new information becomes available.
07 — Acknowledgements
Who is behind the reference.
BM
Belén Millán
Founder & Editor
ORCID
0000-0000-0000-0000
Website
belenmillan.com
Role in WANDA
Conception · research · editorial methodology
WANDA was conceived and developed by Belén Millán, who continues to direct its research and editorial methodology.
Across both her artistic practice and research, Millán employs excavation as a methodology for identifying fragmented traces and bringing them into relation. While her artistic work investigates ecological systems transformed by human activity, WANDA documents organizations created by women to advance women in the arts. In both cases, the work is concerned with what emerges through aggregation: patterns and structures that no single record can reveal on its own.
Designed as a long-term editorial reference, WANDA will continue to grow alongside the organizations it documents, supporting future research on women's collective organization in the arts.
Colectiva
Observatorio Cultural Feminista · Málaga, Spain
Institutional collaborator of WANDA, hosting and supporting the project's editorial research.
University of Málaga (UMA)
Facultad de Traducción e Interpretación · since 2023
Students contribute to the identification, documentation and editorial normalization of organizations under WANDA's methodology.
08 — Contribute
The reference grows with every submission.
While the editorial team actively identifies and documents organizations, contributions from organizations, researchers, artists, and the wider public play an important role in expanding the reference and improving its documentation.
All submissions are independently assessed according to WANDA's editorial methodology and inclusion criteria before publication. Submission does not guarantee inclusion.
PRIVACY NOTICE — The personal information provided through these forms will be used solely to process your submission and to contact you if additional information is required. It will not be published or shared with third parties.
✓
Submission received
PROP-2026-0000
Thank you. Your submission has been recorded and will be independently assessed according to WANDA's editorial methodology and inclusion criteria before publication.
09 — Research
Built to be cited.
WANDA is an editorial reference developed to support research, education, and public knowledge. Explore published records through the website — or access them programmatically through the public read-only API.
Citing WANDA — suggested citation
Millán, Belén (ed.). WANDA – Women Artists' Networks · Directory & Archive. Version 1.0. WANDA. Available at: https://wanda.directory. Accessed [date].
Citing individual records
Organization Name. WANDA – Women Artists' Networks · Directory & Archive. Record ID: WANDA-000452. Version 1.0. Available at: https://wanda.directory/record/WANDA-000452. Accessed [date].
Public API
A documented, read-only REST API exposing published records with the same search and filtering capabilities as the website — supporting research, institutional integration and educational use.
WANDA may be used for research, teaching, and other educational purposes with appropriate attribution. When referencing WANDA or individual records in publications, presentations, exhibitions or digital projects, please use the recommended citation formats above.
WANDA welcomes collaboration with universities, museums, archives, libraries, research centres, and other cultural organizations interested in documenting organizations created by women to advance women in the arts.